A spin off in the mind of a driver in traffic accident 2

That morning the driver reached the traffic police centre.  He had given the whole incident to a female police office but stated a toyota avanza instead of kancil, as he thought he might mistaken the kancil or kendari.   He had no account of young chap's name, mobile and even car plate.


He forward the mobile no that had threaten him, and it end up belonging to a female sergeant at the traffic police.   The police officer retrieved another report from the sergeant and obtain a car register no, and time of incident around 10:15am,  where the driver reported around 12noon.

The Driver seen the sergeant, and illustrated the incident again to her, the sergeant asked why the driver reported late.   The driver said he was waiting to pay the summon after the young chap report.


The sergeant told the driver that there was report stating the driver held knife, threaten and cut the T-shirt of the young chap.


The sergeant than forward a court order and asked the driver to drive the accident car to traffic police centre for photograph.




cont... from https://apwaterdroplets.blogspot.com/2018/07/a-spin-off-in-mind-of-driver-in-traffic.html

sentences

The first twenty-one year ....are formative years.... There are struggles, setback, failures, but hope and optimism alive.  Middle age is yet far.




I am in the middle age, yet events still  form my thought and dircection.

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A spin off in the mind of a driver in traffic accident 4 From the wife point of view.

Fikiran yang berputar dalam seorang pemandu dalam kemalangan jalan raya 1 Kemalangan

29 Jun 10 pagi, pemandu bangun dari tidur ,rasa lapar dan tiba masanya untuk mengambil anak perempuannya dari pusat tuisyen pukul 10.30 pagi.

Dia pergi untuk makan dan menuju ke Jln Dato Sulaiman dari jalan yang kecil Jln Balau. Beliau mendengar bunyi kemalangan dan nampak kancil putih, dengan beberapa baris lakaran lalu di depan dia dan berhenti di tepi jalan di depannya.


Pemandu melihat bahagian depan kanan kerata dia yang kemak , dan lihat ke arah lelaki muda yang tampan dengan kemeja putih dan kata bahawa kemalangan itu tak akan berlaku jika orang muda memandu dengan lebih perlahan.


Lelaki muda itu berhujah bahawa dia berada di jalan utama dan pemandu itu menghalang jalannya.


Pemandu teringat lima tahun lalu, bumper kereta diketuk oleh bas persiaran di Jln Sawmill berhampiran  pusat ibupejabat polis. Beliau membuat laporan di pusat polis trafik dan polis trafik menegaskan bahawa pemandu yang salah dan mengeluarkan  Sumon.

Pemandu berhasrat untuk membiarkan anak muda itu jalan, tetapi tidak ada jawapan dari anak muda itu, Lepas itu pemandu bertanya  lelaki muda berapa banyak yang dia mahu sebagai pampasan untuk membaiki dan  cat keretanya. Tapi pemuda itu tidak jawap.


Pemandu kecewa, dan berfikir  kenaikan NCB dan saman akan lebih daripada kos kerja untuk baiki dan cat untuk kancil.

Dia meminta anak muda itu buat laporan polis. Anak muda itu dengan senang hati mengambil foto depan kereta pemandu.

Pemandu memandu ke pusat khidmatnya untuk menganggarkan kos pembaikan, dan meminta pekerja pusat menghantarnya pulang.


Pada waktu petang, kira-kira jam 2 petang, pemandu menyaksi ada panggilan mudah alih, dan fikir mungkin dari pusat servis kereta.


Beliau panggil balik dan mendengar suara bahasa cina yang berbunyi lembut dan bertanya sama ada pemandu terlibat dalam kemalangan langgar lari yang melibatkan seorang Melayu muda. Pemandu membetulkan dia dengan suara yang tinggi, berkata beliau telah memanggil anak muda itu melaporkan polis. Kecewa, suara Cina tenggur pemandu supaya berhati-hati bahawa dia akan ambil tindakan lebih teruk.





Keesokan harinya, pemandu itu memikirkan sesuatu yang mencurigakan, lalu membuat laporan di balai polis trafik dan diberitahu bahawa ada laporan  dia mengancam dengan pisau dan memotong baju T di depan dada!

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EMMANUEL PAHUD French, Swiss

https://en.wikipedia.org/wiki/Emmanuel_Pahud

Emmanuel Pahud
Background information
Birth name	Emmanuel Pahud
Born	27 January 1970 (age 48) Geneva, Switzerland
Genres	Baroque, classical, jazz
Occupation(s)	Musician
Instruments	Flute
Years active	1985–present
Labels	EMI Classics

Emmanuel Pahud (born 27 January 1970) is a Franco-Swiss flute player.

He was born in Geneva, Switzerland. His father is of French and Swiss background and his mother is French. The Berlin-based flutist^[1]is most known for his baroque and Classical flute repertory.

Pahud was born into a nonmusical family.^[2] As a young boy living in Italy, Pahud was captivated by the sounds of the flute.^[1] From the age of four to the age of 22, he was tutored and mentored by flutists such as François Binet, Carlos Bruneel and Aurèle Nicolet.^[3]Classically trained at the Conservatoire de Paris, he leapt into the international orchestral and solo music scene when he joined the Berlin Philharmonic Orchestra in 1992. His versatility in music styles over the years has "signalled the arrival of a new master flautist" (The Guardian).^[4] He plays in diverse music genres, whether baroque, jazz, contemporary, classical, orchestral, or chamber music.

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Mozart c. 1780, detail from portrait by Johann Nepomuk della Croce

Anonymous portrait of the child Mozart, possibly by Pietro Antonio Lorenzoni; painted in 1763 on commission from Leopold Mozart

https://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart

Wolfgang Amadeus Mozart^[a] (27 January 1756 – 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart,^[b] was a prolific and influential composer of the classical era.

Born in Salzburg, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his early death at the age of 35. The circumstances of his death have been much mythologized.

He composed more than 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence is profound on subsequent Western art music.Ludwig van Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".^[1]

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https://en.wikipedia.org/wiki/Johann_Sebastian_Bach

Johann Sebastian Bach
Portrait of Bach, aged 61, by E. G. Haussmann, 1748
Born	21 March 1685 (O.S.) 31 March 1685 (N.S.) Eisenach
Died	28 July 1750 (aged 65) Leipzig
Works	List of compositions
Signature

Johann Sebastian Bach^[a] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.^[3]

Tchaikovsky - Waltz of the Flowers

Pyotr Ilyich Tchaikovsky

https://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovsky

Pyotr Tchaikovsky, c. 1888^[a].

Pyotr Ilyich Tchaikovsky^{[a 1]} (English: /tʃaɪˈkɒfski/ chy-KOF-skee^[1]; Russian: Пётр Ильич Чайковский^{[a 2]}, tr. Pyotr Ilʹyích Chaykóvskiy, IPA: [pʲɵtr ɪlʲˈjitɕ tɕɪjˈkofskʲɪj] ( listen); 7 May 1840 [O.S. 25 April] – 6 November [O.S. 25 October] 1893^{[a 3]}), was a Russian composer of the romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. He was honored in 1884 by Emperor Alexander III, and awarded a lifetime pension.

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Frédéric François Chopin Polish

https://en.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin

Daguerreotype of Chopin by Bisson(c. 1849)

Frédéric François Chopin (/ˈʃoʊpæ̃/; French: [ʃɔpɛ̃]; Polish: [ˈʂɔpɛn]; 1 March 1810 – 17 October 1849) was a Polish composer and virtuosopianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."^[1]

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Most Iconic Classical Music Masterpieces Everyone Knows in One Single Video

More than 3,5 hours of the most famous and recognizable classical music recordings.The best of classical music for studying, reading, relaxing and (most of all) enjoying!
Tracklist:
0:00 P.I. Tchaikovsky – Swan Lake, Act II: No.10 Scene (Moderato)
02:42 Edvard Grieg – Morning Mood
06:22 Ludwig van Beethoven – Für Elise (Bagatelle No.25 in A minor)
08:51 Frederic Chopin - Nocturne in C-sharp minor
12:56 Georges Bizet - Habanera ("L'amour est un oiseau rebelle")
14:58 W.A. Mozart - Rondo alla Turca ("Turkish March")
18:33 Ludwig van Beethoven - Moonlight Sonata (The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", Op. 27, No. 2)
23:47 Antonio Vivaldi – The Four Seasons “Summer” (III: Presto)
26:24 P.I. Tchaikovsky – Dance Of The Sugar Plum Fairy
28:10 Federic Chopin – Prelude Op.28, no.4
30:44 Gioachino Rossini – Overture to “The Barber of Seville”
36:29 Jahannes Brahms – Hungarian Dance no.5 in F-sharp minor (fragment)
37:06 W.A Mozart – Eine kleine Nachtmusik (Serenade No. 13 for strings in G major)
42:54 J.S.Bach – Air on the G string (from Orchestral Suite No.3, BWV 1068)
45:47 W.A. Mozart – Symphony No.40 in G minor (1. Molto allegro)
51:44 Erik Satie – Gymnopedie no.1
54:56 Johann Strauss II – “Frühlingsstimmen”, Op. 410 ("Voices of Spring")
1:01:31 Frederic Chopin – Nocturne in B-flat minor, Op. 9, no.1
1:07:07 P.I. Tchaikovsky – The Nutcracker: Act I, No.4 Russian Dance
1:08:08 J.S.Bach – Orchestral Suite no.2 in B minor (7.Badinerie)
1:09:07 Gioachino Rossini – William Tell Overture
1:14:55 Antonin Dvorak – Symphony no. 9 in E minor ("From the New world": IV. Allegro con fuoco)
1:26:39 P.I. Tchaikovsky – The Nutcracker: Act I, No. 8 Waltz of the Flowers
1:31:47 Richard Wagner – Ride of the Valkyries
1:37:08 Ludwig van Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (II. Adagio cantabile)
1:42:08 Johann Strauss II – "An der schönen blauen Donau" (The Blue Danube),Op.314
1:49:19 Erik Satie – Gnossienne No.1
1:52:42 Edvard Grieg – In the Hall of the Mountain King
1:54:58 Frederic Chopin – Nocturne in E-flat major, Op. 9, No. 2
1:59:30 Antonio Vivaldi – The Four Seasons “Autumn” (1. Allegro)
2:04:30 Franz Liszt – Liebestraume no. 3 in A flat major
2:09:00 W.A. Mozart – Piano Concerto no.21 in C major (II. Movement)
2:13:19 Ludwig van Beethoven – The Symphony No.5 in C minor (fragment)
2:20:10 Claude Debussy – Clair de lune (from "Suite bergamasque")
2:25:12 N.Rimsky-Korsakov – Flight of the Bumblebee (from “The Tale of Tsar Saltan)
2:26:28 P.I. Tchaikovsky – The Nutcracker: Act I, No. 2 (March)
2:28:25 Edvard Grieg - Notturno, Op.54, No.4
2:32:45 Felix Mendelssohn – Wedding March (from “A Midsumer Night’s Dream”)
2:37:46 Georges Bizet – Prelude to Act 1 for “Carmen”
2:40:02 Antonio Vivaldi – The Four Seasons “Spring” (1.Allegro)
2:43:36 Erik Satie – Gnossienne No.3
2:46:17 Johann Strauss II – Künstlerleben ("Artist's Life"), op.316
2:49:08 Frederic Chopin – “Revolutionary Etude” (Etude Op.10, No.12)
2:51:51 Luigi Boccherini – Minuet from String Quintet in E, Op. 11, No.5 (G 275)
2:54:00 Ludwig van Beethoven – Ode to Joy (from Symphony no. 9 in D minor)
2:57:53 Richard Strauss – Also sprach Zarathustra
2:59:14 Frederic Chopin – Waltz in D-flat major, Op 64, No 1 ("Minute Waltz")
3:01:00 Tomaso Albinoni - Adagio in G minor (attributed to Tomaso Albinoni, but actually proabably composed by Remo Giazotto).
3:04:29 Modest Mussorgsky – Night on Bald Mountain
3:11:49 Johann Strauss II – “Wiener Blut”, Op. 354
3:13:24 J.S.Bach – Toccata and Fugue in D minor, BWV 565
3:16:29 Jacques Offenbach – Overture to “Orpheus in the Underworld” (can-can section)
3:18:14 Leo Delibes – Pizzicato (from “Sylvia”)
3:20:09 Frederic Chopin – Funeral March (Piano Sonata No.2 in B flat minor Op 35: III. Marche Funebre)
3:29:33 W.A. Mozart – Requiem in D minor
3:33:01 J.S.Bach – Prelude in C major

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"Voices of Spring" "Frühlingsstimmen", Op. 410

https://en.wikipedia.org/wiki/Fr%C3%BChlingsstimmen

"Frühlingsstimmen", Op. 410 ("Spring's Voices," or commonly "Voices of Spring") is an orchestral waltz, with optional solo soprano voice, written in 1882 by Johann Strauss II

Music[edit]

	"Frühlingsstimmen" MENU 0:00 Piano version played by Alfred Grünfeld(1852–1924)
Problems playing this file? See media help.

The waltz makes a grand entry in the key of B-flat major with loud chords preceded with the waltz's three beats to the bar ushering the first waltz's gentle and swirling melody. The second waltz section invokes the joys of spring with the flute imitating birdsong and a pastoral scene. The plaintive and dramatic third section in F minor probably suggests spring showers whereas the fourth section that follows breaks out from the pensive mood with another cheerful melody in A-flat major. Without a coda, the familiar first waltz melody makes a grand entrance before its breathless finish, strong chords and the usual timpani drumroll and warm brass flourish. A performance lasts between seven and nine minutes.

Lyrics[edit]

The lyrics were created by Richard Genée (1823–1895).

Die Lerche in blaue Höh entschwebt, der Tauwind weht so lau; sein wonniger milder Hauch belebt und küßt das Feld, die Au. Der Frühling in holder Pracht erwacht, ah alle Pein zu End mag sein, alles Leid, entflohn ist es weit! Schmerz wird milder, frohe Bilder, Glaub an Glück kehrt zuruck; Sonnenschein, ah dringt nun ein, ah, alles lacht, ach, ach, erwacht! Da strömt auch der Liederquell, der zu lang schon schien zu schweigen; klingen hört dort wieder rein und hell süße Stimmen aus den Zweigen! Ah leis' läßt die Nachtigall schon die ersten Töne horen, um die Kön'gin nicht zu stören, schweigt, ihr Sänger all! Voller schon klingt bald ihr süßer Ton. Ach ja bald, ah, ah ja bald! Ah, ah, ah, ah! O Sang der Nachtigall, holder Klang, ah ja! Liebe durchglüht, ah, ah, ah, tönet das Lied, ah und der Laut, süß und traut, scheint auch Klagen zu tragen, ah ah wiegt das Herz in süße Traumerein, ah, ah, ah, ah, leise ein! Sehnsucht und Lust ah ah ah wohnt in der Brust, ah, wenn ihr Sang lockt so bang, funkelnd ferne wie Sterne, ah ah zauberschimmernd wie des Mondes Strahl, ah ah ah ah wallt durchs Tal! Kaum will entschwinden die Nacht, Lerchensang frisch erwacht, ah, Licht kommt sie kunden, Schatten entschwinden! ah! Ah des Frühlings Stimmen klingen traut, ah ja, ah ja ah o süßer Laut, ah ah ah ah ach ja!

The lark rises into the blue, the mellow wind mildly blowing; his lovely mild breath revives and kisses the field, the meadow. Spring in all its splendour rises, ah all hardship is over, sorrow becomes milder, good expectations, the belief in happiness returns; sunshine, you warm us, ah, all is laughing, oh, oh awakes! A fountain of songs is rising, who has been silent for too long; from the brush sounds clear and light the sweet voice again! Ah, gently the nightingale lets stream the first notes, so as not to disturb the queen; hush, all you other singers! More powerful soon chimes her sweet voice. Oh, soon, oh, oh soon! Ah........ Oh, song of the nightingale, sweet sound, ah yes! Glowing with love, ah, ah, ah, sounds the song, ah and the sound, sweet and cosy, seems to carry a plaintive note, ah, ah rocks the heart to sweet dreams, ah, ah, ah, ah, most gently! Longing and desire ah, ah, ah lives in my breast, ah, if the song anxiously calls for me, from afar the stars twinkle, ah, ah in shimmering magic like the moons beam, ah, ah, ah, ah wavers through the valley! As haltingly vanishes the night, the lark starts to sing, ah, the light she promises, shadows recede! Ah! Ah springs voices sound like home, Ah yes, ah yes oh sweet sound, Ah, ah, ah, ah, ah yes.